Over the years I made several paintings and later one of my personal research focuses on the development of informal art materials, using compounds based on plaster, glue, pigments, cement, river stones, sand, salt, coffee and even cayenne pepper powder.
Mix these ingredients or incorporating them in cardboard and polystyrene (previously worked harder and done), I get very strong work, a sort of bas-reliefs that animate the surface by the light that is wedged in the nooks and causes vibration of alternating solids and voids giving dynamism to compositions.
Light is the element-maker, the key to "read" my works, in fact, most of my production is focused on the development of processed completely devoid of color, monochrome.
The study on the philosophy of the monochrome of Piero Manzoni, Alberto Burri on material surfaces, the spatial concept of Lucio Fontana, in papier-mache imprint by Pino Pinelli training are some steps on which I built my concept of "making art".
The brush is just a tool of the mind, but so is the hand he has the arm, so is your mouth ... you can paint in various ways, often my paintings and my canvas are completely painted "hand "in a literal sense ...
Create forms on the surface shape with your fingers is one of the prerogatives of my modus operandi...i love hearing the matter that falls apart and shaped in outline forms are always different and unique.